2chan.us

Or “Sales Barriers for Anime”

This was originally going to be named “how 2ch reads sales charts” but then I remembered that trying to classify any part of 2ch as a singular is a rather foolish thing to do unless you want hits. Wait, oops.

Anyway, this is obviously not gospel truth, but a neat, simplified guide by someone who is clearly somewhat of an industry watcher and a brave warrior on the battlegrounds of the 2ch sales threads. Disc sales numbers referred to here are Oricon numbers.

~500
Mostly anime where disc sales are not a main concern from the beginning; either truly insignificant shows ((keep in mind that the kind of poster who would make this chart judges a show’s worth by its economic performance. original term 雑魚, or “small fry”)) or close to it.
Ex: NHK anime, Children’s anime, Pay channel shows (WOWOW, etc), Nippon TV late night shows, Gonzo shows, IG Original shows, etc

501~800
Mostly insignificant shows. Shows in this area generally failed to attract any interest and are looked upon as endangered, shadowy species.
Ex: Gin’iro no Olynssis, Hyakko, Hero Tales, Shikabane Hime, Akikan!, etc

801~1200
The line between significance and insignificance. Depending on the week, the title may chart if it gets lucky. However, these titles are normally frightened away from the charts, as they’re afraid that Totoro might squash them.
Ex: Yozakura Quartet, Blassreiter, Simoun, Kaze no Stigma, Nabari no Ou, etc

1201~1800
Significant enough to not count as insignificant. However, their poor sales are generally enough to chart, often causing people to only feel pity or sympathy for them.
Ex: Ghost Slayers Ayashi, Galaxy Angel Rune, Kimikiss, Our Home’s Fox Deity, Kyoran Kazoku Nikki, etc

1801~2300
Light novel anime often falls in this category. Might be enough to turn a profit with Kadokawa DVD pricing. The title considered the hurdle is now quantified as a single unit of sales, as in “one Zega.” Anime in this category is considered to be in dangerous territory, as Manabi, the problem child, often makes faces at these titles.
Ex: Rental Magica, Goshusho-sama Ninomiya-kun, Kurenai, Shinkyoku Sokai Polyphonica, Zegapain, etc.

2301~3000
Many titles fall in this category. Marginally performing shows, many of which didn’t sell as much as their popularity would make you think they would.
Ex: Manabi Straight!, true tears #1, Sketchbook, Gun X Sword, Yami to Boshi to Hon no Tabibito

3001~4000
The line of profitability. Also the line at which one could say a title is doing okay, but some may call some titles that sell this many a failure, so it’s quite hard to judge.
Ex: Denno Coil, Soul Eater, School Days, Linebarrels of Iron, Super Robot Swars OG, etc

4001~5000
Titles that gathered a reasonable amount of attention and sold reasonably well. Posters may still make fun of these titles’ sales, but they’re rarely considered “failures.” Growth stocks.
Ex: Seto no Hanayome, Bamboo Blade Garei -Zero-, Higurashi no Naku Koro Ni, Planetes, etc

5001~7000
The point where a second season looks likely, and a reasonable number of discs one can hope to sell. Producers seem to begin to be praised at this point.
Ex: Strawberry Marshmallow, Rozen Maiden, Hidamari Sketch, The Familiar of Zero, Darker than Black, etc

7001~9000
Impressive sales, favorites that can easily be called “hits.”
Ex: Spice and Wolf, Full Metal Panic Fumoffu, Nodame Cantabile, My-Otome, Sgt. Frog, etc

9001~11,000
The entry point into the world of five-figure sales. There is no problem with calling regular late night anime that sell this much a “major hit.”
Ex: Toradora, Shakugan no Shana, Natsume’s Book of Friends, Pani Poni Dash!, Fafner in the Azure, etc

11,001~15,000
The top class of sales for titles that target the narrow otaku community. Praiseworthy honors students.
Ex: Minami-ke, s-CRY-ed, Da Capo, Strike Witches, Eureka Seven, etc

15,001~20,000
The point at which people who normally don’t buy DVDs begin to buy a title. Outstanding works brimming with frontier spirit.
Ex: Gintama, Death Note, Big Windup, Aria the Animation, Negima, etc

20,001~25,000
Properties with many strong, ardent, and powerful supporters. Major stars with deep fanbases.
Ex: Air, Tengen Toppa Gurren-Lagann, Magical Girl Lyrical Nanoha StrikerS, Clannad, Hetalia, etc

25,001~35,000
Titles in between the above and below categories that stand as influential and steadfast titles.
Ex: Lucky Star, Azumanga Daioh, G.I.T.S. SAC 2nd GIG, Initial D 4th Stage, Fate/Stay Night, etc

35,001~50,000
New leaders that become the talk of the industry. Incredible flamewars break out between supporters of titles of this group and titles in the next tier.
Ex: Full Metal Alchemist, The Melancholy of Haruhi Suzumiya, Code Geass, Macross F, Gundam 00, etc

50,001~100,000
In a completely different class from the rest. Godly sales.
Ex: Gundam SEED, theatrical anime (Kara no Kyokai, The Girl Who Leapt Through Time), Bakemonogatari, etc

100,001~
Theatrical anime or anime made for the public at large. The stars of the industry.
Ex: Ghibli anime, Eva films, Zeta Gundam: A New Translation, Final Fantasy VII Advent Children, The World of Golden Eggs, etc

The Hiroshima Financial Times reports the opening of a brand new branch of Hiroshima’s Maypretty maid cafe, this one for “novice otaku” (オタク初心者). Located near Hiroshima station, they claim to have toned down the overall otaku-ness of the place, opting for calm, white walls and regular music and soundtracks as opposed to the main Ootemachi branch’s pink palette and anime songs. The menu features maid cafe staples such as omelettes with ketchup drawings on them and oversized cokes. Their blog can be found here.

I guess trying to attract new blood is good and all, considering the recent maid cafe mass extinctions, but I’ll stick to Schatzkiste. Oh wait, they close in 10 days ;__; On the other hand, I’m going to Hiroshima on a school trip in a few weeks, this might call for some maidbloggin’!

via moeplus via 2nn.

There is currently an event planned in the area in the old Rocket 5-Gou building (the empty lots on Chuo-dori where the kebab trucks and r4 vendors were over the winter) from the 26th to the 28th of the month for the purpose of gathering support for the revival of Hokoten, the opening of the main strip on Sundays that began in June 1973 and abruptly ended after the tragic events of June 8 last year.

The Akiba-Guide blog (the friendly folks in maid costumes outside of Gamers that hand you maps) has some details about the event, which currently includes petitions to sign, fundraising for live security cameras, and possibly an exhibit of photos from the old days of Hokoten and Akiba in general. If you have any such pictures, they’re looking for people to submit them for the event at the email address found in the post at the link above (info@…). They’ll also be there to listen to ideas and opinions for/against a revival of Hokoten, and they’ve already spoken to a number of stores in the area about their ideas. Akibamap reports that the event is also planned to take place on 3/1, 3/7, and 3/8, so if you can’t make it this weekend, maybe next. Hopefully I’ll be able to make it on the 28th before/after Eizo Onsen Geisha 16, and I hope some of you will think about dropping by, too!

Tamagomagogohan (say that five times fast) is reporting that the newest issue of Best Friend has a notice that a spinoff to Tonari no 801-chan about her younger sister, Tonari no Hana-chan (Kari) (“(Kari)” is inside the quotation marks for the title, so I assume that it means “Alias/Assumed name”, not “this title is provisional”), is in the works! Script by Furukawa Kou (Freedom Footmark Days), and art by Minakata Sunao. Maybe if we buy enough copies then an anime of it will get cancelled!

So apparently a few people on that 2ch site are kind of angry at doujin circle Hachimitsu Kuma-san over a recent job posting on the circle’s site as well as on their mixi.

In essence, they are looking for someone to do odd jobs for them, basically filling in whatever need they have at the moment. A few more details:
*Must live within an hour of Omiya city in Chiba prefecture.
*Must be able to be on call even after midnight on days off.
*Will work for free. (this part is only mentioned on the mixi posting.)

Sounds like a dream job, right?

Well, apparently those nay-sayers at 2ch don’t think so. What a bunch of negative nancies! They’ve even gone so far as to post a lot of copy/pastes making some pretty harsh allegations about Hachikuma-san’s business practices, but you can find those on your own, or I’m sure some other blogger will post them as The Absolute Truth, cause 2ch kopipe is never wrong. Anyway, any of you folks out there thinking of applying?!

(via katoyu–)

Day 3 was pretty tame, all things considered: got up early but not too early, stood in line behind East hall, got in at around 10:10 and bought things until I couldn’t buy no more. I spent a good chunk of money, but somehow didn’t purchase any pornography for dudes on what is normally known as the pornography for dudes day. I did get hit some bigger-name circles (ABe, KEI, etc), but they’re not terribly interesting and I’m sure those are all on share or PD or the bittorrent or whatever. Here are some of the mildly interesting and less common things I bought!

Akiba ni Sumu

Akibakurashi wo Tanoshimu Hon

A couple of circles were selling books about Akiba, which I could not help but buy.

Akiba ni Sumu is a very data-driven book, with detailed information on Akiba’s bus stops, zoning laws, history, when the last train you can take from basically anywhere in Tokyo to get back to Akiba is, you name it. Haven’t gotten around to fully reading it yet, but it looks to be a treasure trove of information. Samples of issues are available on the site here.

Akibakurashi wo Tanoshimu takes a different approach, with a lot more pictures and fewer obsessive details. The booth was being run by a middle-aged couple, if I recall correctly, and this reads more like a nice neighborhood guide more than anything, with reviews of restaurants in the area, a small diary of goings-on around the area (festivals, notable store openings), and a small section with floor plans and prices of apartments in the district. A boy can dream, right? They were selling their back issues (1-5, they had a new issue 6 out as well) as a set for I believe 1500 yen, which was quite a deal considering these are 50 pages and well-printed.

Temjin-14, Te-vap 15

Now since I’m studying in the Kansai region at the moment, all this information on Akiba won’t do me a whole lot of good during the school year. Thankfully, Bashi Denden-Kumi, who have apparently been doing this since at least the year 2000, put out a biannual book on the stores of the Nippombashi area. I picked up their summer offering as well as their free winter supplement. The summer book even has a nice fold-out map. I’m sure there are websites that do this, but there’s something really nice about being able to hand 400 yen to the folks that really know and love the area in exchange for a physical volume.

Tsurukawa Bunko - Osama-san 6 (nida), Holy Warriors Taliban 3

Apparently this guy’s books are kind of famous if you’ve been around the internet long enough, but this is like the third time I’ve bought from him and every time it feels like he’s giving me one of those Japanese death glares even though I’m 99% sure it’s all in my head. Maybe it has something to do with the fact that Holy Warriors Taliban is about Osama and Saddam fighting off the US trying to steal all their oil, with the cover blurb of “Martyrs for Independence, Defeat America!” Also, Condolezza Rice is a Planet of the Apes figure. Also, Osama is Optimus prime, complete with transforming action. Also, DBZ parodies such as Obama playing Vegeta to Assistant Secretary of State for East Asian and Pacific Affairs Christopher Hill’s Napa. (“Maybe you won’t be such a disappointment… IN THE NEXT DIMENSION!!!”)

I hope I don’t get arrested for these at customs.

Doriyasu Koujou - Shikaban Kannagi, Hidamari Sketch

Prolific Gegege no Kitaro crossover circle Driyasfabrik’s C74 and C75 offerings. They’re basically everything you think they’d be. Case in point:

it's a catchphrase

C2 ARCHITECTURE - Index of BAKERY

I have to admit, I’m a total sucker for glossy, well laid-out full-color doujins, even if they’re about girls sitting on Nordic furniture (not my fetish, i swear), or in this case, girls eating bread. This is C2 ARCHITECTURE‘s first Comiket offering, and it’s all reviews of smaller Tokyo, particularly Shibuya-based bakeries, and illustrations of girls eating bread from these bakeries. Simple, unique, effective, they manage to actually use the “lets sell everything with moe” boom for good, not evil. Looking forward to their “Diorama Novel” this year.

Inside samples here, aniblogs are OFP-unfriendly enough as-is

OTAKU_BOOKS's OTA-PICTO Project, Otaku to Design's Otaku x Design 3

More things found in the criticism/information block of day 3. The OTA-PICTO book, by OTAKU_BOOKS starts with a brief discussion of the usage of pictograms and signs in otaku culture, then goes on to propose its own set of pictograms with which to label goods sold. I really wish I made it in time to get some of his other books, it looks like he had one on SHAFTxShinbo shows!

Otaku x Design is much longer and much more wordy, and again I haven’t gotten through the whole thing. It looks very interesting though, and the main article basically asks “when did otaku start paying attention to design?” from the jumping-off point of Toranoana. Smaller articles like interviews included as well. Overall, another very slick production.

Well, I had some words here about one last thing, Comic Mavo, but wordpress apparently hates long posts and makes the entire post go away if I type that many words. Maybe some other time! I’m going to sleep.

Did Comiket really end just a week ago? It all seems so far away and dreamlike, except it’s one of those bad horror story dreams where you wake up and you’re out like 700 bucks and there’s a pile of doujin right next to your pillow. Also, a crystal skull.

I decided to take day 1 of Comiket relatively easy, since all I really wanted was the Type-Moon set from industry (really long line), things here and there from Toranoana (how long could it be??), and some stuff from schatzkiste, who managed to grab a small booth, and then stuff from some smaller booths down in the pits of the lower floors, like the booth that was selling the Daicon 7 opening movie, a guy that was purporting to sell a book with viewership numbers for tv anime from 1990-2004, a guy with a book about “politics within 00’s japanese otaku culture”, and some genre circles as well as a fair bit of stuff for friends such as my co-author on this here blog. In this case, “taking it easy” meant taking the 6:00 monorail from Shimbashi, which means arriving at the event at 6:30ish.

Unfortunately, I am incapable of not having something go wrong at a day of comiket. For those who haven’t been before, you can save your place in the line to get in the event (the event starts at 10am) once you get there and sit down, until 8:45, when they lock the line down and make everyone stand up. Normally I spend the whole time from whenever I arrive until 8:45 sitting down, listening to podcasts, and wondering what the hell I’m doing in Odaiba, but this time I made the very unwise choice to use the bathroom without a friend in the line. I left to the bathroom at 7:50, thinking that I’d have plenty of time to make it back. I left the bathroom at 8:40, after a line that rivaled a lot of shutter circle lines, only to find that basically everyone had already stood up, rendering me totally unable to find my spot, which I had tried to mark with my bag with my lunch and my hall maps inside. I tried to grab a spot in line roughly 30-50 feet behind where I thought I was, hoping to find my bag as everyone marched in, but I had no such luck, and I probably made a bunch of people think I was cutting in line in the process. oops.

Mapless, hungry, and frustrated, I sat in front of the Big Sight, watched the sun rise from behind the Washington Hotel, and tried not to lose too much body heat until the line finally started moving at around 10:25. This was actually the first time I’ve gone to a big industry line, since I normally either skip out on day 1, or just go at around 10 and browse kooky genre booths (A-Team x Night Rider yaoi, etc), so I was fairly surprised to see a special sign telling me that in order to line up for Type-Moon, I needed to leave the big crowd going into the event hall and follow the smaller trickle moving in the direction of the sign. This trickle lead me from the fourth floor of the Big Sight back down the opposite side of the building, away from the Big Sight by about 100 meters, through a parking lot, and then back into another queue that was vaguely near the building. I was fairly surprised to find that the line moved relatively quickly, and I managed to climb back up the Big Sight and finally get into the building to buy my 11,500 yen set of goodies by around 11:30.

Now, when I was browsing the Type-Moon website during pre-event planning, I wasn’t planning on buying everything that was on sale, specifically the Shiki “moe-moe bathtowel”, for reasons that I hopefully do not have to explain. However, after having a pretty miserable day so far (my ipod had also run out of batteries while in the T-M line, so no more AWO, no more Marxy vs Patrick Macias, no more Ira Glass, just the sound of a hundred thousand nerds buying porn), once I got shoved inside and suddenly found myself in front of a cash register, I just said “one of everything” and threw a ton of money at the lady behind the booth. So that’s why I have this “moe-moe bathtowel”.

The set: Bag, Neck Warmer, Concept, Clear Poster Set, Moe-Moe Bathtowel. Humping Dog not included.

Concept is an illustration book full of concept and promo art used throughout T-M’s years as an industry vendor, starting from C65, Winter 2003. 130 pages of color illustrations that act as a tribute to T-M’s own successes as well as the holiest of nerd battlegrounds, Comiket.

Concept front cover

Concept back cover

poor quality sample page

part the second

The other goodies are pretty self explanatory, the neck warmer is a neck warmer bearing the AATM2 logo seen here, and the moe-moe bathtowel is a moe-moe bathtowel with a moe-moe picture of Shiki that you can see on the same page. There’s also a clear poster collection of tall, thin clear posters, all packaged in a neat box. There are 22 posters in all, illustrated by a bunch of different artists. Some I would not mind putting up somewhere, others, well,

Clear Poster Set box

HELLO, LADIES

To tell you the truth, I’m still wondering how Naasu, Takeuchi, and co. managed to extract that much money from me, but it probably has something to do with the fact that I still haven’t played Tsukihime or F/SN. At least I didn’t pay the 20,000 that second-hand retailers are charging!

I then proceeded to Toranoana’s booth, as it was the second of the three booths that I knew how to find, since it was directly down the hall from T-M. As an industry hall virgin, I was going by the advice of 西-4 vets and they said that Toranoana wouldn’t have that bad of a line.

Turns out they were wrong, since I ended up spending about a half hour longer in the Tora line than I spent in the T-M line, since they happened to be doing a Touhou New Year’s set and a Touhou calendar, and anything Touhou sells infinite copies. I was there for the Fate/Zero Tribute Arts limited edition box, so I wasn’t terribly heartbroken when they announced that all the Touhou stuff had sold out, especially since it meant that over half of the line cleared out. Fate/Zero Tribute Arts, as the name suggests, is a collection of outside artists doing Fate/Zero art. I mostly decided to buy this book when I found out that huke was contributing, and because I’m one of those people who will go from “considering a purchase, i guess” to “will line up for 2 hours to buy” if you dangle the word “limited edition” in front of me. The LE came with a slipcase and a 40-page black and white sketchbook (Rough Material), if you were wondering.

front view of set

back

LE sketchbook pages

2

Akibablog has a bunch of good pictures of the book, for those interested. On an amusing side note, Toranoana apparently sold out of their entire stock of Touhou and Fate/Zero goods on day 1, which seems kind of unusual (and possibly fan-enraging) for a large booth to do, but what do i know.

Dead tired, I shoved my way to Schatzkiste’s little industry booth and bought their cd-roms and 4-koma collection. For those not in the know, Schatzkiste is the best maid cafe. They’re also closing in 2 months. ;_;

schatzkiste cds, 4koma

Meido-cho smiled and let out a little laugh when she saw me at the booth, basically making my day.

After that, I got the hell out of the Big Sight, and like any sensible person would do, went to Akiba for reasons I don’t quite remember and ended up going to Go Go Curry and Try Amusement Tower with a friend and not buying anything while in Akiba. Went to sleep at 8, since the fight starts for real on day 2.

It seems strange that no one has mentioned this recently, so my apologies if this had been known for years on end:

Wani Magazine has a little bit of info up on their c75 page about what appears to be the successor to ROBOT, their full-color genre-defying anthology full of a lot of my favorite artists. The book’s name is GELATIN, and it is promises us “leading-edge all-original bishoujo comics”. Release date is 2/4, 192 pages (160 color, 32 b+w), B5 size and 1500y.

That alone isn’t enough to get me so excited that I’ll make a blog post about it, though. What does excite me is that Wani managed to bring us another ridiculous lineup of creative and talented illustrators, including some familiar faces from ROBOT. The current lineup:

Naruko Hanaharu
SABE
toi8
Maeshima Shigeki
Ayakura Juu
John Hathway
huke (ps if you haven’t seen the new pv he did check it out)
mota
KEI
Suzumi Atsushi
Houden Eizou
Moriyama Daisuke (can’t find a hp, sorry)
Gorakuin Sakurako (Sekirei manga-ka)
Takamichi (wwwwwww)
Bosshi (aka askray)
miggy

in short, GET HYPE

You can not stop us.

We have this Kentaro Miura.

You moe now.

Are you afraid?

Death to shonen fighting.

Death to manliness.

Idolm@ster is great.

Realpost: Kentaro Miura, author of Berserk, has admitted in the latest issue of Young Animal that he’s very sad that his favorite series of Idolm@ster-related videos on nico are finally ending, so he picked up the game and a 360 for home play. Apparently he’s talked about Miku in the past, but I missed that.

Incidentally, Berserk goes back on break next issue.

wwwwwwwww

(this guy does a funnier writeup if you can read the japanese)

edit: oh, i forget that sankaku complex reads the same news blogs as me and is up at all hours, welp

(originally via かーずSP)

I am thankful to the gods of curry for bringing a second Go Go Curry location to Akiba, far more conveniently located to all the action. Maybe now I can actually manage to sit down next to a friend when I go there for lunch?!