Here are some independent manga I translated and never posted about anywhere besides Twitter. I almost started a new blog for this but I don’t think it’s worth it. Let me know if you’d like to get these updates in another form.
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Shakugan no Shana III > Maji de Watashi no Koi ni Shinasai > Kyoukai Senjou no Horizon > Mashiroiro Symphony
Shana may actually have the worst script of the four, but at least it’s classically bad. The horrifying creature in Mashiroiro ensured it the lowest spot.
Speaking of horrifying creatures, I can’t seem to remember what the point of that scene in Fate/zero was.
I changed the title of the blog. Never really liked that one anyway.
In between the not posting, I managed to pick myself up and go to Japan, where all the authors of this blog attended Comiket 79 and made sure not to stand in the Nanoha line. More about this soon, assuming all my mail gets back to me.
P.S.: Don’t stand in the 07th Expansion line.
Out of admiration for http://dump.colonydrop.com/ (a fine RSS feed of pictures of robots), I have created the following tumblr: http://img.2chan.us/
However, they have self-respect and I have no self-respect, so instead the theme turned out to be “vaguely related images I think are mindblowing”. If you’re lucky you’ll get some of the jokes sometimes!
Hello everyone. You will notice a marked drop in translation quality today because it’s not kransom but me, Shii, bushwhacking with my copy of Rikaichan. This evening I started recieving furious retweets from @AwatakeTakahiro regarding a recently accepted amendment to Tokyo’s Youth Protection and Nurturing Ordinance (青少年健全育成条例改正) which has been posted to Scribd. Awatake lives in Saitama so I figure something must be up here. I here translate a post by Yoshitoshi ABe regarding the amendment.
I was surprised recently by the major problems imbedded in the “Youth Protection and Nurturing Ordinance amendment”. Even though the amendment is coming into force just now, I hadn’t heard of it before a few days ago. For a full explanation, please visit this site: http://mitb.bufsiz.jp/
Simply put, even for characters of a story who do not actually exist, and even those who are portrayed not as minors but as adult figures, sales of works in which the panties of these characters can be seen can be restricted if you have a hunch that they appear childlike, for one thing; and more generally, it is an unconstitutional and ridiculous piece of legislation. I’m not talking about children’s books. I mean mass market publications, anime, games, and all manners of works. Both Doraemon and Sazae-san are right out!
http://otakurevolution.blog17.fc2.com/blog-entry-787.html
As you read more about this, please try and think about whether or not you want to live in a society that can pass these sorts of laws without resistance. What follows are my own thoughts. (I will employ the terms “good depictions, bad depictions”, but these are not my conceptions of good and bad. Rather, I only mean how these things are percieved in our modern society. Just making sure [this is understood].)
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In order for people to understand and distinguish between good and evil, it is necessary to have good things to point out and explain that “this is good”, and have evil things to point out and explain that “this is evil”, in the same way.
If we lock a child in a sterilized room, they would not grow into a healthy adult with a normal heart!
[Corrected] Among porn and violent works, there are depictions of acts you are likely to never see in real life, yet which, if seen, would leave you mentally scarred. These must exist within society so that we can explain how they are wrong. If we regulate their expression, then, being raised in a place where such things do not exist, people will not have that chance to learn what is wrong or dangerous.
For example, war is obviously a bad thing, but even so, what do you think would happen if we had a complete ban on depictions of war? Children would wonder if war was good or bad, and what would happen if our society had something called war, and despite this foolishness would unfortunately grow into adults.
For us [humans], at some point on the path to adulthood it is necessary to know about these bad things.
For all the various evils in this world, only through “becoming a perpetrator”, “becoming a victim”, or “experiencing a depiction”, and these three means alone, can we understand them as evil.
Of course, I do not mean to say that “reading depictions of crime will cause you to become a criminal”. The only way one can learn to differentiate between good and evil is to be allowed to apply their own well-developed thought and reasoning to these materials. If you are forced to memorize “this is good, this is evil” out of a textbook, this is is not the same as discernment itself.
At the risk of repeating myself, there are for sale in the market today exceedingly brutal and violent things, and other things that the world has generally deemed unpleasant. I think it’s good for people with proper understanding to say “this is unpleasant”. That is, seeing these portrayals of evil, adults will be able to explain that they are bad, and this itself instructs children in proper thought. If there were no depictions of evil about, we would lose those necessary examples to instruct people in proper understanding, and the basis for knowing what is good and what is bad within society would become flimsy at best. That society would simply be a sterilized room.
If I ever become father to children, in the place that I live in, I believe that it would be impossible to raise them healthily in this weird kind of sterilized society lacking all violent or sexually explicit notions. I do not want to live in that kind of society!
Humankind has been entrusted with much power, but if we abuse that power to do away with things that we do not like, then thinking in that way, we will give birth to this sterilized room kind of society. The purpose of freedom of speech, in my opinion, is to defend against precisely that sort of thing.
[Anyway, I e-mailed the Tokyo Assembly and Tokyo City public contacts with these thoughts, in accordance with the approved format for sending public comments.]
For Christmas I received an iPod Touch. Not a lousy present by any means; it’s been wasting my time for the past 12 hours. I have determined that by far the most interesting thing to put on my iTouch are poorly translated anime games. Having devoted far too much of my short lifespan on this Earth to downloading and playing nonsensical games featuring brain damaged young women, I feel it is my duty to inform you, the reader, of what I have learned.
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this is not what i wanted at all kadokawa!!!!!!!!!!!!!
guess they’re too busy putting the final touches on Haruhi s2!
(但し、団長の気まぐれにより、配信日時、更新日時はコロコロ変わる可能性があります。ご容赦下さい)
In my futile attempts to get myself to post blog entries more often, I tend to leave manga sitting on my computer desk or on the floor below my desk until I either do one of my massive twice-a-semester room cleanings or one of my twice-a-semester manga reviews. Okay, maybe more like once a semester.
Boku no Shoukibo na Seikatsu (僕の小規模な生活）, by Fukumitsu Shigeyuki (福満しげゆき). Vol 1 published 12/21/2007. Kodansha/Morning.
Boku no… is a semi-autobiographical story of a man struggling to break into the manga industry. It was also one of the most depressing things I read last semester. The story starts with the main character trying to balance making enough money through part-time jobs to supplement his wife’s pay in order to survive with his hopes of becoming a professional manga-ka. Throughout the course of the volume’s 25 chapters, he somehow manages to work his way from being rejected by eromanga publishers to getting serialized in a major (guess which one it is!). This, of course does not stop him from losing sleep in chapter after chapter over his various arguments with his wife (who gradually gains weight over the course of the volume–she seems to be a fan of the idea of comfort food) over small things which generally end with her getting violent, his social slip-ups, his thin finances, his fragile position as a professional manga-ka, and life in general being rough. We follow the main character around to his various meetings with editors and industry folks, his attempts to start a band with a friend, and basically every part of his often-miserable, but slowly proceeding life.
This is actually somewhat of a continuation of Boku no Shokibo na Shippai, which ran in AX (ps buy this when it comes out), and we actually see some of the process behind Shippai being created in this volume. What struck me most about this manga is how much I actually cared about the main character’s life. I felt miserable when he felt miserable, and I shared in his (often small) successes, but always carefully. The look at the interaction between him and his editors was also great to read from the position of someone interested in how the industry works, and I’m definitely going to pick up volume 2 whenever I get around to going to a real bookstore.
Yumewatari no Pulcinella (夢渡りのプルチネッラ), by Oiwa Kendi （大岩ケンヂ). Vol 1 published 8/26/2008. Kadokawa/Shonen Ace
You know, I need to study for a quiz tomorrow so all I’m going to say about this is that if Oiwa Kendi illustrating NHK and Goth made you think he was unable to whip up a boilerplate school romance/fantasy story (boy in boring school life goes into mystery inner-soul dream world and meets cute girl and sexy girl who vie for his attention while with their help he goes into other peoples inner-soul dream worlds and fixes their problems, etc etc etc) when he’s all on his own, you are sorely mistaken. I am one of these sorely mistaken individuals, especially sore since I had the exact same reaction after buying both 99 Happy Soul AND Mahiru no Yojimbo. Maybe this time I’ll learn?
Fushigi no Kuni no Ringo-hime (腐しぎの国のリンゴ姫), Katoh Mayumi (加藤マユミ）. Vol 1 published 4/20/2008. Akita Shoten/Young Champion.
Rin is the top OL (office lady) at her company, jealously looked up to by the other women at the company on the track to marrying the soon to be rich alpha-male salaryman at her company. She also happens to be a fujoshi crazy about “Salaryman Ojisama”, and succeeds in keeping the two worlds separate from each other until a new girl shows up at the office, amusingly enough nicknamed “Moemoe”. Moemoe knows Rin from her junior high days of being a fat Salapri-obsessed fujoshi, and leverages this blackmail into a number of amusing yet now-stock situations like making her dress up like a street idol and have dudes wotagei to her songs, and of course going to a doujin event. If you had to know, there are also jokes about her only knowing about sex through extensive knowledge of yaoi and apparently Chobits.
I’m kind of conflicted about this manga – on one hand it did keep me reading for the most part, and got a few good laughs out of me. On the other hand, if you didn’t particularly like Mouou Shoujo Otaku-kei because it was a little too geared towards guys (I mean it ran in High and they run Kojika), you will probably have an aneurysm if you read this. I mean, it runs in a magazine with “Young” in its title. In other words, lots of breasts, and enough fujoshi stereotyping and borderline misogyny to even give me pause. I mean hell, at one point there is what is very close to one of those “girl gets raped, but you know she was asking for it” kinds of scenes. I might end up buying volume 2 hoping that it’ll manage to turn around, as it certainly could play off what’s been established in volume 1 to create a story that would allow the liberal arts major inside of me to recommend this, but until then approach with caution, I guess, especially if you haven’t bothered reading 801-chan or Mousou Shoujo yet or something.
JC.COM (Serial, Shueisha, 12/19/2008).
I saw a little of hype over this one here and there, and figured that I’d pick it up since I assumed that Range Murata cover and niche-sized anthology would mean that it’d be up my alley. Again, Japan has fooled me. This is mostly my fault, as I didn’t bother to actually read most of the hype beyond headlines, and so I didn’t notice the “From the artist of Highschool of the Dead” and the “From the creator of Chocotto Sister” and the “boobs from some guy who did a few series for CoroCoro”. So yeah, mostly girls or women in various states of undress and lots of fightin’ action. Not that there’s anything particularly wrong with that, and these all seem like perfectly competent series, it’s just that I had something a little more…pretentious in mind when I dropped over 800y on under 200 tankobon-sized pages with Murata drawing his signature young girls for the cover (amusingly titled The Muses of Range Murata). Oh well, there’s always Gelatin coming out next month, I’ll be prepared for the absolutely exquisite filth in that one.
Did Comiket really end just a week ago? It all seems so far away and dreamlike, except it’s one of those bad horror story dreams where you wake up and you’re out like 700 bucks and there’s a pile of doujin right next to your pillow. Also, a crystal skull.
I decided to take day 1 of Comiket relatively easy, since all I really wanted was the Type-Moon set from industry (really long line), things here and there from Toranoana (how long could it be??), and some stuff from schatzkiste, who managed to grab a small booth, and then stuff from some smaller booths down in the pits of the lower floors, like the booth that was selling the Daicon 7 opening movie, a guy that was purporting to sell a book with viewership numbers for tv anime from 1990-2004, a guy with a book about “politics within 00′s japanese otaku culture”, and some genre circles as well as a fair bit of stuff for friends such as my co-author on this here blog. In this case, “taking it easy” meant taking the 6:00 monorail from Shimbashi, which means arriving at the event at 6:30ish.
Unfortunately, I am incapable of not having something go wrong at a day of comiket. For those who haven’t been before, you can save your place in the line to get in the event (the event starts at 10am) once you get there and sit down, until 8:45, when they lock the line down and make everyone stand up. Normally I spend the whole time from whenever I arrive until 8:45 sitting down, listening to podcasts, and wondering what the hell I’m doing in Odaiba, but this time I made the very unwise choice to use the bathroom without a friend in the line. I left to the bathroom at 7:50, thinking that I’d have plenty of time to make it back. I left the bathroom at 8:40, after a line that rivaled a lot of shutter circle lines, only to find that basically everyone had already stood up, rendering me totally unable to find my spot, which I had tried to mark with my bag with my lunch and my hall maps inside. I tried to grab a spot in line roughly 30-50 feet behind where I thought I was, hoping to find my bag as everyone marched in, but I had no such luck, and I probably made a bunch of people think I was cutting in line in the process. oops.
Mapless, hungry, and frustrated, I sat in front of the Big Sight, watched the sun rise from behind the Washington Hotel, and tried not to lose too much body heat until the line finally started moving at around 10:25. This was actually the first time I’ve gone to a big industry line, since I normally either skip out on day 1, or just go at around 10 and browse kooky genre booths (A-Team x Night Rider yaoi, etc), so I was fairly surprised to see a special sign telling me that in order to line up for Type-Moon, I needed to leave the big crowd going into the event hall and follow the smaller trickle moving in the direction of the sign. This trickle lead me from the fourth floor of the Big Sight back down the opposite side of the building, away from the Big Sight by about 100 meters, through a parking lot, and then back into another queue that was vaguely near the building. I was fairly surprised to find that the line moved relatively quickly, and I managed to climb back up the Big Sight and finally get into the building to buy my 11,500 yen set of goodies by around 11:30.
Now, when I was browsing the Type-Moon website during pre-event planning, I wasn’t planning on buying everything that was on sale, specifically the Shiki “moe-moe bathtowel”, for reasons that I hopefully do not have to explain. However, after having a pretty miserable day so far (my ipod had also run out of batteries while in the T-M line, so no more AWO, no more Marxy vs Patrick Macias, no more Ira Glass, just the sound of a hundred thousand nerds buying porn), once I got shoved inside and suddenly found myself in front of a cash register, I just said “one of everything” and threw a ton of money at the lady behind the booth. So that’s why I have this “moe-moe bathtowel”.
The set: Bag, Neck Warmer, Concept, Clear Poster Set, Moe-Moe Bathtowel. Humping Dog not included.
Concept is an illustration book full of concept and promo art used throughout T-M’s years as an industry vendor, starting from C65, Winter 2003. 130 pages of color illustrations that act as a tribute to T-M’s own successes as well as the holiest of nerd battlegrounds, Comiket.
Concept front cover
Concept back cover
poor quality sample page
part the second
The other goodies are pretty self explanatory, the neck warmer is a neck warmer bearing the AATM2 logo seen here, and the moe-moe bathtowel is a moe-moe bathtowel with a moe-moe picture of Shiki that you can see on the same page. There’s also a clear poster collection of tall, thin clear posters, all packaged in a neat box. There are 22 posters in all, illustrated by a bunch of different artists. Some I would not mind putting up somewhere, others, well,
Clear Poster Set box
HELLO, LADIES
To tell you the truth, I’m still wondering how Naasu, Takeuchi, and co. managed to extract that much money from me, but it probably has something to do with the fact that I still haven’t played Tsukihime or F/SN. At least I didn’t pay the 20,000 that second-hand retailers are charging!
I then proceeded to Toranoana’s booth, as it was the second of the three booths that I knew how to find, since it was directly down the hall from T-M. As an industry hall virgin, I was going by the advice of 西-4 vets and they said that Toranoana wouldn’t have that bad of a line.
Turns out they were wrong, since I ended up spending about a half hour longer in the Tora line than I spent in the T-M line, since they happened to be doing a Touhou New Year’s set and a Touhou calendar, and anything Touhou sells infinite copies. I was there for the Fate/Zero Tribute Arts limited edition box, so I wasn’t terribly heartbroken when they announced that all the Touhou stuff had sold out, especially since it meant that over half of the line cleared out. Fate/Zero Tribute Arts, as the name suggests, is a collection of outside artists doing Fate/Zero art. I mostly decided to buy this book when I found out that huke was contributing, and because I’m one of those people who will go from “considering a purchase, i guess” to “will line up for 2 hours to buy” if you dangle the word “limited edition” in front of me. The LE came with a slipcase and a 40-page black and white sketchbook (Rough Material), if you were wondering.
front view of set
back
LE sketchbook pages
2
Akibablog has a bunch of good pictures of the book, for those interested. On an amusing side note, Toranoana apparently sold out of their entire stock of Touhou and Fate/Zero goods on day 1, which seems kind of unusual (and possibly fan-enraging) for a large booth to do, but what do i know.
Dead tired, I shoved my way to Schatzkiste’s little industry booth and bought their cd-roms and 4-koma collection. For those not in the know, Schatzkiste is the best maid cafe. They’re also closing in 2 months. ;_;
schatzkiste cds, 4koma
Meido-cho smiled and let out a little laugh when she saw me at the booth, basically making my day.
After that, I got the hell out of the Big Sight, and like any sensible person would do, went to Akiba for reasons I don’t quite remember and ended up going to Go Go Curry and Try Amusement Tower with a friend and not buying anything while in Akiba. Went to sleep at 8, since the fight starts for real on day 2.
I’m sure a lot of you out there on the information superhighway have been thinking, “boy, I’d love to get the supercell album but the used prices are just killer!!”, right? I mean, it’s not like any of you folks would think of downloading it… right?
Either way, you no longer have to worry about annoying doujin supply and demand dynamics, cause supercell’s getting his/(their) first album released by Sony! The deluxe package comes with a dvd, so you can have a real dvd pressing of the Black Rock Shooter PV! You nerds better have your wallets out on 3/4/2009!
A few movies for the uninitiated:
Black Rock Shooter
melt