{"id":1206,"date":"2010-01-29T23:53:06","date_gmt":"2010-01-30T04:53:06","guid":{"rendered":"http:\/\/2chan.us\/wordpress\/?p=1206"},"modified":"2010-01-29T23:53:06","modified_gmt":"2010-01-30T04:53:06","slug":"garo-1965-titleauthor-listing-notes","status":"publish","type":"post","link":"http:\/\/2chan.us\/wordpress\/2010\/01\/29\/garo-1965-titleauthor-listing-notes\/","title":{"rendered":"Garo 1965 Title\/Author Listing + Notes"},"content":{"rendered":"

I was going to write about the copy-bon I bought at C77, but then I realized that no one is actually interested in that. On the other hand, a small handful of people are interested in Garo, so I felt that it’d be a better use of my time to write up another year of Garo information! If you missed my post on Garo’s 1964 issues (I don’t blame you, it was almost 8 months ago), it can be found here<\/a>. Once again, names will be in the format of Lastname Firstname, and individual stories in each issue will be listed as Author, \u00e2\u20ac\u0153Story\u00e2\u20ac\u009d. Also once again, many thanks go out to Shiraishi-san for allowing me to draw from his Garo index, though his site currently appears to be offline. I am fairly sure that the works listed under each month are not listed in the order which they appear in the magazine, but the order they appear in the table of contents on the back side of the front cover.<\/p>\n

<\/p>\n

——-<\/p>\n

January 1965<\/b>
\nFront Cover: Shirato Sanpei
\nShirato Sanpei, “Kamui-den”
\nMizuki Shigeru, “Shinpen, Boujouki”
\nSuwa Sakae, “Unabara no Tsurugi” (possible alternative, “Unabara no Ken”)
\nDoya Ippei, “Juujutsu Kyouryuu Hiwa: Tamasudare”
\nMura Shigeru, “Manga no Kakikata”
\nSasaki Mamoru, Okamoto Satsuko, “Nihon Ninpou-den”
\nNomura Shigeo, “Mizuki Shigeru no Manga” <\/p>\n

Notes:
\nOkamoto Satsuko is the younger sister of Shirato Sanpei. She was also responsible for illustrations in “Douwa: mo Kichi” in the magazine’s first issue, a work written by Ri Haruko, Shirato’s wife.
\n“Nihon Ninpou-den” is a series of illustrated historical essays focused on portraying history from the common person’s perspective. Perhaps inspired by the ninja-heavy content of the magazine, the author states that the essays will be about “ninjas,” though he defines a “ninja” as an individual who works behind the scenes in order to move history, and goes on to say that it is possible for just one person to change history. This inaugural essay also discusses the Kennedy assassination, stating that the Warren Commission is a “big lie,” and implies that American gas corporations were responsible for Kennedy’s death, as his goals of peace in Vietnam would cut into their profits. As the magazine is still primarily focused towards younger readers, the essay is written in language easy for an elementary-school student to understand.
\nThe reader’s corner includes a letter from a middle school student complaining that he is made fun of for reading manga at such an old age.
\nThe editor’s corner introduces “Nihon Ninpou-den” as a work that has a new way of looking at history, then encourages magazine readers to read the articles, even if they don’t like history.<\/p>\n

February 1965<\/b>
\nFront Cover: Shirato Sanpei
\nShirato Sanpei, “Kamui-den”
\nMizuki Shigeru, “Aa, Mujou”
\nKusunoki Shouhei, “Senmaru”
\nDoya Ippei, “Juujutsu Kyouryuu Hiwa: Tamasudare”
\nMura Shigeru, “Manga no Kakikata”
\nSasaki Mamoru, Okamoto Satsuko, “Nihon Ninpou-den”
\nMizusawa Shuu, “Metsubou no Naka no Honshitsu”<\/p>\n

Notes: First issue to break 150 pages.<\/p>\n

March 1965<\/b>
\nFront Cover: Shirato Sanpei
\nShirato Sanpei, “Kamui-den”
\nMizuki Shigeru, “Kamisama”
\nKusunoki Shouhei, “Senmaru”
\nDoya Ippei, “Yawara Musashi”
\nFujisawa Mitsuo, “Wakagusa Manpo”
\nMura Shigeru, “Manga no Kakikata”
\nSasaki Mamoru, Okamoto Satsuko, “Nihon Ninpou-den”
\nDoya Ippei, “Goshin Hijutsu Kouza”
\nKurokawa Shin, “Meyasu-bako”<\/p>\n

Notes: “Meyasu-bako” is a serialized column beginning in this issue where various authors would contribute essays, normally political in nature. This issue warns children to not drink the powdered skim milk given to them at school due to the discovery of high levels of strontium-90 in powdered school milk. <\/p>\n

April 1965<\/b>
\nFront Cover: Shirato Sanpei
\nShirato Sanpei, “Kamui-den”
\nMizuki Shigeru, “Kengou to Tabamochi”
\nMura Shigeru, “Isoppu-shiki Manga Kouza: ‘Dounattenno’, ‘Kore wa Tamaran'”
\nDoya Ippei, “Goshin Hijutsu Kouza”
\nMura Shigeru, “Gekiga Shoushi”
\nAzuma Shinichirou “Rotarii”
\nKusunoki Shouhei, “Senmaru”
\nFujisawa Mitsuo, “Wakagusa Manpo”
\nMaekawa (Maegawa?) Umita (??), “Ninja Iku Tokoro”
\nKurokawa Shin, “Meyasu-bako”
\nSasaki Mamoru, Okamoto Satsuko, “Nihon Ninpou-den”<\/p>\n

Notes: “Meyasubako” is a continuation of last issue, blaming capitalism and the relentless pursuit of profit for the presence of strontium in school milk. The author encourages readers to not believe their teachers, as he states that they will be fired if they don’t try to make their students drink powdered milk. Wakagusa Manpo (I believe, my notes are unclear) picks up on this theme and encourages schoolchildren’s mothers to protest this situation.
\nA note in the margins of a page in this issue urged Tsuge Yoshiharu and Kuki Makoto to contact the magazine ASAP.
\nFirst issue to break 170 pages.<\/p>\n

May 1965<\/b>
\nFront Cover: Sanpei Shirato
\nSanpei Shirato, “Kamui-den”
\nMizuki Shigeru, “Koufuku no Amaki Kaori”
\nTakano Yukio, “Noppo to Chibi wa Hoshi o Mita”
\nDoya Ippei, “Yawara Musashi”
\nMaegawa Umita, “Ninja Ootori”, “Ninja Iku Tokoro”
\nSasaki Mamoru, Okamoto Satsuko, “Nihon Ninpou-den”
\nAzuma Shinichirou “Rotarii”
\nKurokawa Shin, “Meyasu-bako”
\nFujisawa Mitsuo, “Wakagusa Manpo”
\nOomura Eiji, “Haiboku no Gunzou”<\/p>\n

June 1965<\/b>
\nFront Cover: Shirato Sanpei
\nShirato Sanpei, “Kamui-den”
\nMizuki Shigeru, “Kodomo no Kuni”
\nKusunoki Shouhei, “Senmaru”
\nKagemaru Jouya, “Mokugekisha”
\nMaegawa Umita, “Ootori Hitoriaruki, Dokutori no Fukumaden”
\nSasaki Mamoru, Okamoto Satsuko, “Nihon Ninpou-den”
\nKurokawa Shin, “Meyasu-bako”
\nAzuma Shinichirou “Rotarii”<\/p>\n

Notes: “Mokugekisha” identifies itself as a work by the Gekiga Shudan, a group of gekiga creators.
\nThis issue’s “Rotarii” is an essay titled “Manga and Gum,” where the author argues that manga needs to be a product more like gum in that it is enjoyed by children and adults alike. The author then goes on to say that in order for this to happen, there first must be more manga for adults, like the works that appear in Garo.
\nThis essay is followed by an open call for works to be published in the magazine. The first guideline given for submitted works is that they “must be interesting.” Shirato also makes an appeal here, calling on authors to submit their work so that new talent can be found and fostered. Shirato says that a submitted work’s content, not art, is most important, as art can be improved later.<\/p>\n

July 1965<\/b>
\nFront Cover: Shirato Sanpei
\nShirato Sanpei, “Kamui-den”
\nMizuki Shigeru, “Kodomo no Kuni: Kusatta Kuni”
\nOgawa Akira, “Tatakai Aru Kagiri Ni”
\nMaegawa Umita, “Ootori Hitoriaruki, Dokutori no Fukumaden”
\nMaegawa Umita, “Ninja Yuku Tokoro”
\nMasai Shigei (?), “Kanzen \/ Perfect”
\nSasaki Mamoru, Okamoto Satsuko, “Nihon Ninpou-den”
\nMura Shigeru, “Rotarii”
\nFujisawa Mitsuo, “Wakagusa Manpo”
\nKurokawa Shin, “Meyasu-bako”<\/p>\n

Notes: This issue’s “Meyasu-bako” was on the theme of how the Japanese people could not ignore what was happening in the Vietnam War. <\/p>\n

August 1965<\/b>
\nFront Cover: Shirato Sanpei
\nShirato Sanpei, “Kamui-den”
\nMizuki Shigeru, “Kodomo no Kuni: Senso to Heiwa”
\nTsuge Yoshiharu, “Uwasa no Bushi”
\nMasai Shigei, “Gokiburi Oyaji”
\nOgawa Akira, “Tatakai Aru Kagiri Ni”
\nSasaki Mamoru, Okamoto Satsuko, “Nihon Ninpou-den”
\nKurokawa Shin, “Meyasu-bako”
\nAzuma Shinichiro, “Rotarii”<\/p>\n

Notes: Tsuge Yoshiharu’s debut issue. As was the case with many manga authors at the time, his address is listed in the margins.
\nBeginning with this issue Mizuki Shigeru’s spot in the magazine is moved from its normal placement, the comic immediately following “Kamui-den,” to the very back of the magazine. This becomes Mizuki’s regular space, meaning that the magazine is bookended by Shirato in the front and Mizuki in the back.<\/p>\n

September 1965<\/b>
\nFront Cover: Shirato Sanpei
\nShirato Sanpei, “Kamui-den”
\nMizuki Shigeru, “Hakanai Yume”
\nMasai Shigei, “Hitchpoppo Gekijou: Koroshiya Kagyou”
\nFujisawa Mitsuo, “Wakagusa Manpo”
\nHoshikawa Teppu, “Kao no Magatta Otoko no Monogatari”
\nTsurita Kuniko, “Hitobito no Maisou”
\nTsurita Kuniko, “Kamigami no Hanashi”
\nChin Shimei, “Ochoko de Nomanai Sake”
\nWatari Nijuushi (?), “Mahiru”
\nKurokawa Shin, “Meyasu-bako”
\nAzuma Shinichiro, “Rotarii”<\/p>\n

Notes: Hoshikawa, Tsurita, Chin, and Watari’s works were submitted entries exhibited in a special “new authors collection” section.
\nMasai’s work is a self-parody of the magazine. <\/p>\n

October 1965<\/b>
\nFront Cover: Shirato Sanpei
\nShirato Sanpei, “Kamui-den”
\nMizuki Shigeru, “Shinkoudan: Tougyuu”
\nTsuge Yoshiharu, “Suikashu” (?)
\nOgawa Akira, “Tatakai Aru Kagiri Ni”
\nMasai Shigei, “Hitchpoppo Gekijou: Bocchan Koroshiya”
\nKidou Jouji, “Hashiru Satsui”
\nKurokawa Shin, “Meyasu-bako”
\nAzuma Shinichiro, “Rotarii”<\/p>\n

Notes: Kidou Jouji is a pen name for Tanima Yumeji, shoujo horror manga-ka. He also wrote episodes of Ultra Q under this pen name. He also wrote erotic gekiga under the pen name Dei Zunin. <\/p>\n

November 1965<\/b>
\nFront Cover: Shirato Sanpei
\nShirato Sanpei, “Kamui-den”
\nMizuki Shigeru, “Mammoth Flower”
\nKaji Issei (?), “Maguso Monogatari”
\nMasai Shigei, “Ikitai”
\nFujisawa Mitsuo, “Aozora-Taro no E-Nikki”
\nTakayuki, “Furupan \/ Kopan”
\nKidou Jouji, “Nanjamonja Ninja”
\nKurokawa Shin, “Meyasu-bako” <\/p>\n

Notes:
\nKaji Issei (possible misromanization) is a pen name used by Hiroshi Hirata, best known in America as the author of Satsuma Gishiden.
\nPublished letters from readers are from markedly older readers beginning around this issue, such as a student studying economics and Marx at Kyoto University who writes in for this issue to voice his love of Sanpei Shirato. <\/p>\n

December 1965<\/b>
\nFront Cover: Shirato Sanpei
\nShirato Sanpei, “Kamui-den”
\nMizuki Shigeru, “Fuku no Kami”
\nMizuki Shigeru, “Kobu, Shinkoudan: Sore Kara no Musashi”
\nTsuge Yoshiharu, “Unmei”
\nKaji Issei, “Ai, Shinshaku Bushido Monogatari”
\nHoshikawa Teppu, “Tsuki to Sensou”
\nFujisawa Mitsuo, “Aozora-Taro no E-Nikki”
\nMasai Shigei, “Kinkai wo Motte 50 Nengo ni Ikou!”
\nMitsuhashi Makoto, “Aru Hi, Wakamono wa Tabi Datta”
\nKurosaki Shin, “Meyasu-bako”
\nAzuma Shinichiro, “Rotarii”<\/p>\n

Notes: “Rotarii” is placed towards the front of this issue and discusses the debates over history textbook approval and Japanese historical revisionism.
\nWhile a large number of works are still samurai and ninja-themed, manga about war, specifically the Vietnam war and the social movements surrounding the war, are becoming more prevalant around this time, especially from newer authors such as Hoshikawa.<\/p>\n","protected":false},"excerpt":{"rendered":"

I was going to write about the copy-bon I bought at C77, but then I realized that no one is actually interested in that. On the other hand, a small handful of people are interested in Garo, so I felt that it’d be a better use of my time to write up another year of […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,22],"tags":[],"class_list":["post-1206","post","type-post","status-publish","format-standard","hentry","category-manga","category-translation"],"_links":{"self":[{"href":"http:\/\/2chan.us\/wordpress\/wp-json\/wp\/v2\/posts\/1206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/2chan.us\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/2chan.us\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/2chan.us\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/2chan.us\/wordpress\/wp-json\/wp\/v2\/comments?post=1206"}],"version-history":[{"count":4,"href":"http:\/\/2chan.us\/wordpress\/wp-json\/wp\/v2\/posts\/1206\/revisions"}],"predecessor-version":[{"id":1210,"href":"http:\/\/2chan.us\/wordpress\/wp-json\/wp\/v2\/posts\/1206\/revisions\/1210"}],"wp:attachment":[{"href":"http:\/\/2chan.us\/wordpress\/wp-json\/wp\/v2\/media?parent=1206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/2chan.us\/wordpress\/wp-json\/wp\/v2\/categories?post=1206"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/2chan.us\/wordpress\/wp-json\/wp\/v2\/tags?post=1206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}