After some twitter back-and-forths, I’ve decided to try to do a few posts where I introduce some of the stuff I picked up last Comic Market (C77), mostly just to prove to people that you can spend over $500 on interesting doujinshi and have basically none of it be pornographic. (Nozomu Tamaki pushed his ero book on me and who am I to deny that man a sale?)<\/p>\n
Of course, to start off this series of posts, I’m going to basically mess up my entire theme by starting with a professionally published book from 2007. I did, however, purchase this book at C77, and it’s the closest one to my laptop, so I’m going to start with the first volume of Manga Ronso Boppatsu<\/i> (\u00e3\u0192\u017e\u00e3\u0192\u00b3\u00e3\u201a\u00ac\u00e8\u00ab\u2013\u00e4\u00ba\u2030\u00e5\u2039\u0192\u00e7\u2122\u00ba, “Manga Debate Eruption”, alternatively “The Manga Criticism War Erupts!”), authored and edited by Kaoru Nagayama, author of Eromanga Studies<\/i>\u00e3\u20ac\u20ac(East Press), and the journalist Takashi Hiruma. <\/p>\n
Manga Ronso Boppatsu<\/i> is a collection of nearly fifty short (2-6 page) articles on a variety of topics, most of which center around a single expert or critic’s thoughts on the topic at hand. The authors of the book state that the idea behind the book is to listen<\/u> to various positions on each of these hot topics, such as the globalization of manga, creators’ rights, and the limiting of free expression in manga, so that constructive discussion can start taking place rather than the mindless, polarized shouting matches that’re all too easy to fall into when debating these issues.<\/p>\n
I ended up getting this book (and its sequel) thanks to a tip from Vertical’s<\/a> Ed Chavez, who sent me off in the direction of the far-left corner of the Big Sight’s East-3 hall, where I found a rather large table staffed by just one guy, who I assume was one of the authors of the book. The placement of their booth was a bit odd to me, as it was down in one of the doujinshi-selling halls (as opposed to the upstairs industry hall), but up against the wall where non-doujinshi products like markers and corn dogs are sold. <\/p>\n This was actually a rather appropriate place to stick these guys, as while their book is released by a professional publisher (Micro Magazine), the subjects covered in the volume either deal directly with doujinshi events like Comiket, or are extremely relevant to the ideals embodied by these events themselves: Spreading manga culture and providing a space where individuals can distribute works of free expression. I’m not just making this stuff up, either–the Comic Market Preparation Committee and the National Doujinshi Event Liaison Group<\/a> are both prominently given credit for cooperation right next to the authors. <\/p>\n I mentioned that Manga Ronso Boppatsu<\/i> is the closest book to my laptop, and there’s actually a reason for that; it’s basically the only thing I’ve been turning to as of late when I feel like educating myself on manga. While I’m still working through it, the articles I’ve read so far are all very informative and provide thoughtful views on whatever topic is at hand. Of course, there is a trade-off to gathering the breadth of experts that the book jams into a little over 200 pages, and that is that a relative lack of depth in any given article. However, the articles are all excellent primers on their respective topics given by some of the most respected individuals in their fields. Since it’d be nearly impossible to give my thoughts on each individual article, I’m simply going to spend the rest of this post below the cut translating each article’s title and the primary individual consulted or interviewed (when applicable), and strongly suggest the volume (available for purchase at Amazon<\/a> and bk1.jp<\/a>, among other places) to anyone with an interest in a mix of solid journalism and on-the-ground, current commentary on the state of manga and doujinshi. <\/p>\n <\/p>\n Chapter 1: Manga is Spreading Across the World<\/b><\/p>\n The Current State of Manga Culture in Chinese-Speaking Regions ((the term “manga” in Japanese can be used to denote comics of any national origin, and while these articles are focused around Japanese comics, each country’s domestic works are also frequently discussed)) – Au Yeung Yu Leung, otaku researcher<\/p>\n The Deep, Broad Universe of Manga in Korea – Sun Jung-Woo, manga critic<\/p>\n Japanese Manga in Thailand – Nekoshima Rei, manga author<\/p>\n The State of the Medium and Regulation in the USA – Odagiri Hiroshi, American comic researcher<\/p>\n Why Anime and Manga are Popular in France – Etienne Barral, journalist<\/p>\n In Spain, Manga Represents Japan <\/p>\n Let’s Guide Foreign Fans to Japan – Okada Maki, Japanese Resident Ambassador to Denmark<\/p>\n Manga Was a Worldwide Niche Industry – Nakano Haruyuki, manga researcher<\/p>\n Unauthorized Translations of Manga and Anime Found Online <\/p>\n Asian Piracy<\/p>\n Get Your Politician Involved – Sakai Masayoshi, associate professor at Waseda University GITS<\/p>\n What’re METI’s Policies?<\/p>\n Chapter 2: Doujin Culture: Sustaining the Japanese Content Industry<\/b><\/p>\n Doujinshi \/ The Manga Authors from Comiket – Misaki Naoto, doujinshi researcher<\/p>\n The Charm of Doujinshi Events<\/p>\n Testing Out Dispatched Editorial Departments – Nakamura Kimihiko, member of the Comitia executive committee<\/p>\n Do All Manga Lovers Come to Comiket? – Fudetani Yoshiyuki, co-representative of Comic Market, editor<\/p>\n Chapter 3: Manga and Copyright<\/b><\/p>\n The 1999 Pokemon Doujinshi Crackdown Incident\u00e3\u20ac\u20ac- Sakata Fumihiko, Gataket representative<\/p>\n The “Doraemon – Final Episode” Doujinshi Incident <\/p>\n Is This a Black and White Situation? – Takekuma Kentaro, author, editor<\/p>\n The Meaning of Manga Plagiarism Verification Sites<\/p>\n Lessen the Scope of Copyright and Enforce it Strongly – Shirata Hideaki, assistant professor in the social sciences department of Hosei Univ.<\/p>\n Let Copyright Holders Decide – Matsumoto Leiji, manga author<\/p>\n Chapter 4: Expression’s Ground Zero<\/b><\/p>\n The Front Line of Censorship <\/p>\n From the Desk of a Professional Eromanga Editor – Shiyoama Yoshiaki, eromanga editor<\/p>\n Manga Authors’ Voices – Tamaki Nozomu, Yamada Sansuke, Hoshiai Hiro, manga authors<\/p>\n The Josei Crisis <\/p>\n Chapter 5: Obscenity and Harm<\/b><\/p>\n The “Harmful Books” Controversy<\/p>\n The Beginning of Doujinshi Censorship<\/p>\n The Day Otaku Moved Government – Nishikata Kouichi, former representative of the Manga Defense League<\/p>\n The Yokohama Conference and AMI – Dan Kanemitsu, translator<\/p>\n The Shobunkan Trial – Yamaguchi Takashi, lawyer<\/p>\n Higurashi \/ School Days \/ The Tokyo Trade Center <\/p>\n Chapter 6: The Current State of Censorship and Self-Censorship<\/b><\/p>\n Determining Harmfulness and Zoning\u00e3\u20ac\u20ac- Aoyama Ayako, section chief for youth affairs for the Tokyo Metropolitan Government<\/p>\n Self-Censorship and Divided Exhibition <\/p>\n What is CERO Inspection?<\/p>\n Chapter 7: Freedom and Censorship<\/b><\/p>\n What Was the Virtual-Ken<\/i>? (The Investigative Committee on the Protection of Children from Harms Brought on by the Virtual Society) – Maeda Masahide, professor in the college of general education at Tokyo Metropolitan University<\/p>\n What is Radical Feminism? – Nakasatomi Hiroshi, associate professior in the administration and social sciences department of Fukushima University<\/p>\n Manga Does Not Induce Crime – Saito Tamaki, psychiatrist, critic<\/p>\n Do the Problems of Expression and Censorship Oppose Each Other? – Ito Go, manga critic<\/p>\n Are Symbols and Reality Connected? – Ueno Chizuko, profesesor in the graduate school of humanities and sociology at Tokyo University<\/p>\n Expression Must Not be Restricted by Law – Chiba Tetsuya, manga author<\/p>\n Chapter 8: The Mass Media and Manga Culture<\/b><\/p>\n Misunderstanding and Prejudice<\/p>\n Media Literacy and the General Public – Ootani Akihiro, journalist<\/p>\n Otaku and the Media<\/p>\n Chapter 9: Manga’s Freedom<\/b><\/p>\n Being Prepared to Risk Your Life Over Freedom of Expression – Satonaka Machiko, manga author<\/p>\n Leniency in Japanese Culture – Azuma Hiroki, critic, philosopher<\/p>\n The Future That the “Anything Goes” Ideal Holds – Ichikawa Kouichi, Yasuda Kahoru Comic Market co-representatives<\/p>\n","protected":false},"excerpt":{"rendered":" After some twitter back-and-forths, I’ve decided to try to do a few posts where I introduce some of the stuff I picked up last Comic Market (C77), mostly just to prove to people that you can spend over $500 on interesting doujinshi and have basically none of it be pornographic. 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